“Just Words – But They Hold The Horror Of The World”……….What I Thought Of Toby’s Room by Pat Barker

western Front……….That title in full is actually “Bombardment, barrage, curtain-fire, mines, gas, tanks, machine-guns, hand-grenades – just words, words, words, but they hold the horror of the world!”. It comes from Erich Maria Remarque’s ‘All Quiet On The Western Front’.

This latest novel by Pat Barker does the same – it takes the horrors of that time, turns them into words, but her rather understated and straight prose fits the context so well. It means there’s no chance of forgetting that for all that the words you read are shapes and letter formations you know so well, it is impossible to comprehend the devastation they describe.

That’s one of the emotional contrasts in this book -  words and sentences that make perfect literal sense combining to describe a destruction of both the human body and the spirit that’s beyond comprehension. The book goes across both the pre- and post-war periods, contrasting the innocence and hope of one with the painful re-building of lives in the midst of despair in the other. And in the middle, carnage.

Sister and brother, Toby and Elinor Brooke, grow up together in the warmest and closest of sibling relationships. Theirs is a life ofTobys Room genteel Edwardian privilege, but before the war, one dark event threatens to tear their relationship apart. And yet it survives, if anything the event draws them still closer together emotionally. Nevertheless this darkness sits silently but ominously between them. But even with this, the bond between the pair appears unbreakable until Toby is posted ‘Missing, Believed Dead’ at the Western Front in 1917. It’s a telegram message read by thousands of families across Europe at that time, but the shadow it casts on Elinor’s life leaves her to be bereft not only by the absence of her brother, but by the absence of any knowledge of how he died or why? There’s a sense in Elinor that all is not as it seems but she still sets out to uncover the story behind her brother’s death. She enlists the help of a former lover from her pre-war art student days, Paul Tarrant, himself both a physical and emotional casualty of his time at the Front. Emily’s determined search for the truth, and Paul’s reluctant support of that search, lead them to focus on another fellow ex-art school student, Kit Neville. Neville was in the fox-hole with Toby Brooke at the time of his death, but he’s saying nothing. Neville is recovering at Queen’s Hospital from having his face destroyed, a patient of the pioneering face reconstruction work of the surgeon Harold Gillies, and the trained surgeon-cum-artist Henry Tonks. It is in this world of destroyed bodies and lives under reconstruction that Elinor tries to finally find out why her brother died.

The book is a narrative journey, not so much through the actions of the characters, but more a narrative journey through their emotions. At its heart it focuses on survival and reconstruction of bodies, minds, souls, relationships and even memories. The main characters are all strong but there’s no tension in that collective strength – instead it delivers a book which in some ways is about good and bad things people do, and about good and bad things which happen to them, without having any hero’s in the story and without having any characters as villains. Instead it has the feel of a book where the characters are all too fragile and battered to be heroic and a book where the villain of the piece is the world they live in.

Years ago I read Pat Barker’s “Regeneration Trilogy” focused on Siegfied Sassoon, and the treatment for some soldiers deemed to be suffering from shell-shock. It was based on the real-life work at Craiglockhart of the psychiatrist WHR Rivers. In many ways there’s a familiarity with Toby’s Room and yet there’s a freshness to Toby’s Room too. But what they share is the great fit between Barker’s economic prose and the subject matter. The book is an emotional experience to read, but it’s never maudlin’ or sentimental. Instead the emotion comes from the scale of the devastation the characters experience and the fact that somehow they survive. When I read books like Toby’s Room, now from the comfortable distance of almost 100 years, it amazes me that any of them survived it – there’s a raw brutality and almost disregard for people that leaves me feeling angry and appalled in equal measure. So a read of Toby’s Room isn’t an ‘enjoyable’ one because of the subject matter of suffering and survival, I don’t think it’s meant to be ‘enjoyable’. But it’s a terrific book and in my view, it’s one that’s not to be missed.

Il y a une femme dans toutes les affaires…………What I Thought Of “Gone Girl” by Gillian Flynn

cherchez la femme……….That line in full is “Il y a une femme dans toutes les affaires ; aussitôt qu’on me fait un rapport, je dis “Cherchez la femme !” (There is a woman in every case: as soon as they bring me a report I say “Look for the woman!”)

It’s a phrase from Dumas ‘Mohicans of Paris”. And of course ‘cherchez la femme’ has become a standard phrase – and in a lot of detective fiction it’s a common cliche – the mysterious femme fatale in the mix, the vixen turning men from ordinariness to obsessions and crimes of passion. Years ago I bought an album by a band called “Cafe Jacques” – on it was a song called ‘Crime Passionelle”, in which the chorus was “Cherchez la Femme, Cherchez La Femme, qu’est que tu dis maman?!” – I spent a significant proportion of the 1980′s going around singing that! (And in Glasgow that wasn’t without risks you know!)

With a title like ‘Gone Girl’ I suppose ‘cherchez la femme’ is to be expected in this book, but as the story unfolds the complexity of that search for the woman unfolds and unravels, so that this is no hackneyed, cliched, pulp fiction detective yarn – instead it’s a brilliantly paced, cleverly plotted thriller. In fact it’s exceptionally clever. Though that might just be it’s flaw – it might be a little bit TOO clever!

You know from the outset that something doesn’t quite fit but as the book progresses, every time you think you know where it’s going you discover you don’t. Nick Dunne is essentially a bloke whose wife disappears on the morning of their fifth wedding anniversary. He’s the prime suspect, but as the story unfolds in alternating chapters, told by Nick himself and then from his wife’s diary, you get the impression that the cops are barking up the proverbial wrong tree. However Nick still has questions to answer – is he as perfect as he seems, and even if he is flawed, even if he’s actually a bit pathetic, is he really capable of murdering his wife and disposing of the body. But as the story unfolds and Nick’s flaws and weaknesses start to emerge to dent that preppy-perfect image, his wife’s diary make you realise that Nick’s seems to have been as good with his wife as he claims. Or does it?!

From there on this book simply draws you in – like being on one of those old fairground rides of spinning walls that glue you to themGone Girl just in time for the floor to be taken out from under you – that’s exactly what Gillian Flynn does to you when you read this – she sucks you in then holds onto you while she whips the floor out from under you! Now that would be a writing talent in anybody’s book – but in “Gone Girl” she does it time and again – that’s what makes this an exceptional thriller / crime novel – but again maybe there’s only too many times you can have the floor taken out from under you before it all starts to get a bit passe!

Nick Dunne, as a character, is just on the right side of asshole but also just the right side of dark to make you keep wondering if maybe he’s on the wrong side of asshole! The pace of the narrative is great – and it’s laced with a wry dark humour throughout. Amy’s complex – a mixture of home-made apple-pie and Glenn Close in “Fatal Attraction!” If I had a criticism, it’s these. Firstly the two detectives leading the investigation into Amy Dunne’s are a bit on the wooden side. The banter between them in particular seems everything the rest of the book isn’t – a bit listless, predictable, and frankly, dull! (But then maybe that’s deliberate). Second criticism is that in a book with so many plot twists and turns – and when you get half way in there’s one real corker of a twist – I do wonder if some people reading might end up questioning how believable it all is. That’s pretty much for individuals to determine – I can see why someone might think it’s all a bit too much and therefore get irritated by the book.

But I was hooked on it from the first page to the last and it was one of those books I think I devoured rather than read – I couldn’t wait to pick it up again on every occasion I had to put it down – had I been able to I’d have read this without stopping. So if you are looking for a thriller you’ll fall in love with, this might NOT be it, but if you are looking for a thriller to fill that insatiable appetite some of us have for a plot you want to feast on, pick up “Gone Girl” and devour it till you can’t devour another word!

Whatever Happened To The Unlikely Lad?……….What I Thought Of The Unlikely Pilgrimage Of Harold Fry by Rachel Joyce

This has really got little to do with the book - but it's amazing how many images of raod tax discs are available on line - What Is Wrong With People?!!

This has really got next to nothing to do with Harold Fry! – but it’s amazing how many images of road tax discs are available online – What Is Wrong With People?!!

……….I put things off! I put off getting the bins out for collection on a Friday morning until Friday morning – everybody else has it done by early evening Thursday. I put off shaving, which I hate, until someone says “Are you growing a beard then?”. I put off renewing things like road tax till the last minute – in fact so much so that my family nickname is lastminute-dot-Col! (It’s not the only name I get called around here but this is one of the tamer ones!). I put off doing this book review for god’s sake -  I read this books months ago – so you see I put things off!!

And I put off reading Harold Fry because I thought it might be a bit schmaltzy and twee – and it is – but it was still a big mistake to put it off – for it’s a great read! So if you are putting off reading about Harold’s pilgrimage, don’t! Read it as soon as you can (and get that BLOODY car taxed while you’re at it!)

Before I read the book, I read reviews of it elsewhere. Most of the bloggers I like, rate, and in whose judgements I’ve got faith, had read it and rated it highly – but those reviews also left me unsure about what kind of book it would be: is it a love story? ; is it a parable? ; is it an adventure? ; is it a comedy? ; or is it a bit of a “you too can be inspired by this story of the indomitable human spirit!” sort of book?

And the answer is that it isn’t any of those -  and yet somehow it’s all of those!

The shoes on the cover of this book are modelled on my own "old-campaigner" trainers I believe!

The shoes on the cover of this book are modelled on my own “old-campaigner” trainers I believe! i.e. in tatters!

Harold Fry is a gentle, quiet and unassuming bloke, recently retired and living out what seems a pretty sedate life (in every sense of the word!). The book begins with an air of despondency – it feels like Harold and his wife Maureen are waiting on the end of their lives coming. Out of the blue Harold receives a letter through the post from a dying woman, a friend and ex-colleague, and so he writes a reply and sets off to post it to her in Berwick-on-Tweed. He has no intention of doing anything other than that – a fact characterised by the yachting shoes on his feet! But when he reaches the end of the road to post it he decides not to post it there but to go on to the next post box. And from there it becomes not an errand to post a letter but a mission to hand deliver that letter, by making a modern-day pilgrimage of the 600 miles between Harold’s home and Berwick-on-Tweed. Along the way Harold meets all facets of life in the UK, from businessmen looking for a different meaning in life to a Slovakian migrant in a menial job which is miles below her talents and abilities as a doctor. His journey is one of hope, partly for his dying friend, partly for himself, partly for his wife and partly for all of us – sometimes that hope comes from Harold but more often than not it’s given to him, sometimes deliberately and sometimes unintentionally, by the people he meets on his journey.

When I read that paragraph above back, it sounds too twee and too simplistic to be any good – but it works – and works brilliantly. There is a simplicity to the writing, but it’s the straight-forward kind of simplicity and so it helps the book enormously. It is this that stops it becoming too sugary or too introspective and instead keeps up the narrative flow from start to finish.

At the heart of the book though is of course the character of Harold, and I found him one with whom I could both believe in and identify with. He’s a hero – he’s a million miles from James Bond or Jason Bourne or Indiana Jones, who are the archetypal all-action movie heroes I usually like – Harold is more of a perfect fit as a hero. I’m a fifty-one year old man getting wider as fast as I’m getting older – why wouldn’t I identify with Harold! The other characters in the book are a bit more variable – some of them more believable and real than others – but it didn’t matter.

Harold Fry is a book that is deceptively simple, because there are other layers to it. There’s definitely a feel of a Biblical parable, as Harold gathers an entourage and finds his pilgrimage becoming less personal and more collective. There are also some pretty dark and emotionally charged parts of the book – in fact it gives you a couple of stiff ones to the solar plexus in the latter parts of the story! It also seems to me it’s a book that has a real look at loneliness – the kind that’s emotional rather than physical – there is Harold’s loneliness within his marriage – Maureen’s own loneliness within the same situation, the loneliness of their recently widowed neighbour, the detachment, either from their peers or their neighbours, that characterise several of the people Harold meets on his journey. But above all, it’s a cracking story.

If Nancy Had Met Harold This Album Would have Been Titled Yachting Shoes!

If Nancy Had Met Harold This Album Would have Been Titled Yachting Shoes!

All the way through it, as I read along, I couldn’t get Nancy Sinatra out of my head – there was a refrain I made up in one of those eejit moments we all have (note the use of the phrase “all have” - this is an attempt for reassurance that it’s not a problem I’ve got – so if you read this PLEASE leave a comment that just says “I HAVE EEJIT MOMENTS TOO!“). You know the “these boots were made for walking” drivel – I had that – substituting boots for yachting shoes – running through my head frequently in the gaps between reading the actual book! That’s the effect that the Pilgrimage of Harold Fry had on me – it’s a book about “senior moments” – they’re good senior moments, but they’re still senior moments – and here was a book about senior moments inspiring me to my have several of my own “Sing-Along-With-Nancy” senior moments – bizarre – but Harold Fry was worth it!

If you want to read other reviews of Harold Fry you can find them on Annabel’s House Of Books (her review has got the title I’d have wanted!) and Alex In Leeds and HeavenAli (her review has a great wee map showing that walking from Devon to Berwick is a bloody long walk!)

When The Fan Hits The Shit!!!!……….What I Thought Of Sweet Tooth by Ian McEwan

………..From the off I want to be clear – I really like Ian McEwan – I’m genuinely a fan! I loved Atonement, I thought On Chesil Beach was beautifully simple and yet so powerful, Enduring Love was really great – I even liked Amsterdam! But Sweet Tooth just didn’t do it for me at all – it kind of meandered meaninglessly and pointlessly in a story I just couldn’t develop any kind of attachment for, with a main character who, basically, seriously irritated me!

Sweet Tooth

Sweet Tooth by Ian McEwan with story heroine Serena Frome (rhymes with Plume) – (and also rhymes with crap!)

I didn’t start to blog to slate books or authors – in fact the exact opposite – I love books and want to just enjoy the feeling of sharing my thoughts, and most of the time the sheer enjoyment and joy they bring me. So I won’t overdo the slating of Sweet Tooth – and I know lots of people have read it and liked it – but I thought it was a real disappointment.

It tells the story of Serena Frome, “rhymes with plume” apparently(!!), described inside the cover as “the beautiful daughter of an Anglican bishop” – and therein lies the first niggle for me – it’s all a bit predictable and trite – I think I’d have preferred something along the lines of “Serena Frome, rhymes with comb, the  plain and plump daughter of an Aberdonian fish shop owner!”. Serena goes, via an older Cambridge professor-lover into the intelligence services, where she becomes the public face of an MI5 plan to recruit and manipulate right-minded young aspiring writers to produce the right-kind of anti-Soviet literature and propaganda. I know there’s the willing suspension of disbelief and all that but I can’t believe that Ian McEwan isn’t somehow taking the piss with this plot that’s so paper-thin it reminds me of that bloody awful “Izal” loo paper they gave out in Scottish schools which you were supposed to wipe your arse with, but for which we used to use the left over sheets as tracing paper!!! All the way through I just kept thinking – he can’t be serious about this as a story line – can he? I can believe most things of Britain’s intelligence services but I think even they’d laugh at the ludicrousness of this idea! I wont say any more about the story, or the characters, because to be honest, I don’t really care enough and as I say I don’t want to slate it endlessly. There are some bits that I was intrigued by – part of the story lends itself to McEwan giving a bit of an insight into the creative writing process – interesting but ironic that the insight into creativity is built around something that seems to be utterly lacking in creativity. It also allows McEwan to outline a number of story plots and ideas though the vehicle of “books and short stories” created by “Tom Haley”, the writer being “worked” by old Selena The Plume! That’s ironic as well – he seems to have chosen to give away plots to “Tom Haley” that are a damn sight better than the one he’s ended up publishing!

I did wonder if the final irony is in that author character’s name – ‘Tom Haley’ – it takes only one consonant change to become Tom Daley!!!! I could then see Ian McEwan have him writing a plot for a TV programme about celebrities learning how to belly-flop from different heights in a diving competition called “Splash!” But that’s a useful benchmark – because I thought Sweet Tooth was as awful a book as Splash is a TV Programme!

I’m so sorry to write this about an Ian McEwan book – and one that I’d really looked forward to so much. But I thought it was rubbish – brilliantly written rubbish I’ll grant you – but still rubbish!

However other people really did like it and you’ll find much more positive reviews here at Savidge Reads and Book Hooked Blog

Good Things Come To Those Who Wait!!!!!!……………………What I Thought Of Standing In Another Man’s Grave by Ian Rankin

………….He waits. That’s what he does…………..and I’ll tell you what……………tick followed tock, followed tick, followed tock, followed tick…………ah yes good things come to those who wait – and it’s not just Arthur Guinness who knows that! Though this, my favourite of his ads, epitomises waiting for good things!

I know it too! There are three things in my life that, for me, are always well worth waiting on.

It’s worth waiting for the two stages of pouring a pint of Guinness – watching that head grow and settle – lovely!

It’s worth waiting for my partner to get ready when we go out – she always emerges late but she’s always absolutely beautiful and I feel wonderful to think she’ll be going out with me!

And it’s worth waiting for an Ian Rankin novel – they are always good, sometimes great, and occasionally, like this one, truly special!

To all intents and purposes, Standing In Another Man’s Grave is the comeback of ex-DI John Rebus. Now I’ve missed him since Ian Rankin “retired” Rebus. But it wasn’t until he emerged as a character in this book, on the very first page of it, that I realised just how much I’d missed him!

He’d made sure he wasn’t standing too near the open grave. Closed ranks of the other mourners between him and it. …….Rain wasn’t quite falling yet, but it had a scheduled appointment. The cemetery was fairly new, sited on the south-eastern outskirts of the city. He had skipped the church service, just as he would skip the drinks and sandwiches after. He was studying the backs of heads: hunched shoulders, twitches, sneezes and throat-clearings. There were people here he knew, but probably not many………..Words were being uttered but he couldn’t catch all of them. There was no mention of the cancer. Jimmy Wallace had been ‘cruelly taken’, leaving a widow and three children, plus five grandkids. Those kids would be down the front somewhere, mostly old enough to know what was going on. Their grandmother had given voice to a single piercing wail and was being comforted.

Christ, he needed a cigarette.

I simply wallowed and luxuriated in this first paragraph, and from there to the end, Ian Rankin didn’t let me down for a second!

Standing In Another man's GraveThe story sees Rebus re-engaged by Lothian and Border Police in what’s really a cold case unit. At the same time, the disappearance of a young woman, Annette McKie, in Fife, prompts another distraught mother, Nina Hazlitt, to contact the police yet again about her suspicions that this is not a one-off disappearance and is in fact part of a series, which happen along the A9 road, and which began many years before with her own daughter. CID don’t take much notice of her theory for the current case of Annette McKie  – but when she tries to contact an officer she knows within the cold case unit, she discovers he is no longer there – and instead she gets, you guessed it….. Rebus! And there are two things that have always characterised Rebus, his nose for a case and his willingness to take on a seemingly lost cause and have a tilt at what others think are Don Quixote-type windmills! It’s not long before Rebus has wormed his way out of cold case unit and into the McKie investigation team, thanks partly to his sidekick of old, Siobhan and thanks partly to the sheer willingness of Rebus to stick his neck out.

I’ll go no further for fear of spoiling it for anyone who might decide to read it (and you should, you really, really, really should!). But it is a great book, one of the best Ian Rankin books in my humble opinion! The characters of Rebus and Siobhan are as strong and vibrant and doggedly real as they ever were – but if anything there’s an additional spice to their relationship now that there is more of a blurred boundary between boss and subordinate! (It’s kind of like in Winnie the Pooh, when Pooh’s surrounded by water, and he decides to try and sail on a honey jar, which he names ‘The Floating Bear’ – AA Milne writes about how for a while “Pooh and The Floating Bear were uncertain as to which of them was supposed to be on top” – well the Siobhan/Rebus relationship is exactly the same – though obviously minus the flood and the honey jar!).

The writing is as good  as ever, the pace is great from beginning to end though it never feels rushed and the plot has just enough twists to make it mesmerising but never ridiculous. The previous characters of Malcolm Fox and his “Complaints” team are also there as is the sinister menace that is the gangland hard man Ger Cafferty. In the hands of someone less skilled this could end up feeling like a story with everything but the kitchen sink thrown in – but in Ian Rankin’s hands it’s a carefully balanced set of ingredients, blended together perfectly into an absolutely cracking book. I loved it!

Some comebacks aren’t really that welcome – like “Steps – The Reunion” – I mean why would they bother? It’s not as if anybody would have missed them – surely not!

Some comebacks are just plain silly – like “The Doors” without Jim Morrison. Talk about missing the point!

Some comebacks are welcome and long overdue – like the return of Paul Buchanan from The Blue Nile!

But some comebacks are the stuff of dreams and a cause for celebration – perhaps my most sought after comeback is the return of Eric Cantona to Manchester United – but if I can’t have my idea of heavenly perfection in ‘The Return Of Cantona’, then the byline on the cover of  Standing In Another Man’s Grave is the next best thing, for it reads

“REBUS IS BACK!”

And as Shrek says to Donkey  – “That’ll do for me Donkey! That’ll do!”

“Just When You Thought It Was Safe To Go Back In The Water!”……….What I Thought Of ‘The Last Weekend’ by Blake Morrison

Jaws 2……….That “safe to go back in the water” phrase was the strap line used to promote Jaws 2 in the 70′s – it was a line that stuck in my brain at the time and has become one of those cliches that I trot out every now and then  – much to my families boredom and dismay!!!!

It’s up there with “Sounds like something monstrous is going to happen!” from Sylvester The Cat, “Nobody expects the Spanish Inquisition!” from Monty Python, “Think romantical thoughts! You and me, me and you, together!” from Monsters Inc, “That’ll do donkey! That”ll do!” from Shrek and a clutch from my favourite film of all time, ‘Where Eagles Dare’, including the legendary “Broadsword calling Danny Boy! Broadsword calling Danny Boy!” and my most romantic line for my partner “I tell you what Fraulien! We will have one more schnapps together and then I will escort you to your quarters!!!!”

But of all the times I’ve used the nonsense line from Jaws 2 to describe something really creepy, unwelcome or weird,  never has it been more apt than for the character of ‘Ian’ in Blake Morrison’s odd, shocking, yet utterly compelling novel, “The Last Weekend”.

I just finished the book today but had to write the review straight away, even though I’ve got a backlog to write about, simply because I need to get it out of my system – Ian gave me the creeps – and I’m a bloke – God knows how this book, and Ian as a character, must feel for women who read this!!!!

But of course the fact that it creates that feeling is a sign of just how good a writer Blake Morrison is!The Last Weekend

The story grows smoothly, almost unnoticed, into its ultimately menacing and rather scary skin. It’s a book that sort of frightens you not because it just jumps out unexpectedly and shouts “BOO!” but because it’s a book that invades you slowly, like a dark shadow moving minutely, gently but dangerously and inexorably across the floor towards you!

The story follows a weekend get together of two couples – Ian and Em, on the surface are your archetypal lower middle class pairing of social worker and primary school teacher (I’m allowed to say that in a slightly disparaging way as both my partner and I are ex-primary teachers!) and Ollie and Daisy are your archetypal successful upper-middle class couple, much edgier, much more flighty and therefore less “solid”, and of course much wealthier!!! Ollie, Daisy and Ian are old friends from Uni – partly a case of brotherly man-love between Ian and Ollie and partly a case of unrequited love between Ian and Daisy – whereas Ian had found and fallen for Daisy first she quickly left him when she fell in love with his best mate Ollie! But the threesome survive the romantic to-ing and fro-ing as a rather odd menage-a-trois (though in Ian’s case its all friendship but no sex!)

They get together for a weekend, also accompanied by Milo, an artist guest of Daisy’s, with his kids, at a bizarre, rambling country house booked by Ollie. Over the course of the weekend the story unfolds, centred largely on a bet and the resultant competitive edginess between Ian and Ollie. There are emerging tensions between the characters, between the couples, between the families and even between the humans and the landscape and the humans and the house itself. These tensions rise to a crescendo in a fairly shocking climax.

I thought this was both an intriguing and beguiling book. It was one of those odd occasions when I really didn’t like any of the main characters, apart from Rufus the dog(!) and yet I found every character fascinating, almost vying to see which of them I’d dislike most by the end (Ian won that prize for me but I might have been biased against him from the off BECAUSE of that primary teacher connection!). It’s very cleverly structured, with just enough movement back and forward in  time between their uni days and the present to peel off and lay bare, layer by layer, their relationships, insecurities, jealousies and in some ways downright madness! The prose is great, there’s a sparse feel to it in places and an economy of language that for me added to the overall seedy, menacing, atmosphere in the book.

Since I finished it, I’ve tried to think of other creepy characters in books I’ve read and considered how they compare to Ian. There was the equally odd and amoral Mike Engleby in Sebastian Faulks book of the same name, the utterly vicious and cold Ripley in Patricia Highsmith’s “The Talented Mr Ripley”, the scariest taxi driver of all time Balgram, in Aravind Adiga’s magnificent “The White Tiger”, the second scariest taxi driver of all time, “Shalimar”, in Salman Rushdie’s “Shalimar The Clown” and of course the master of cruelty and amoral actions, Thomas Cromwell in Hilary Mantel’s “Wolf Hall” and “Bring Up The Bodies”.

But are any of them as creepy as Ian in The Last Weekend – I don’t think so!

Some of them are more violent, some even more amoral, some colder, and some more disturbed, but NONE of them are quite as – well – creepy – as Ian is! It’s a brilliant piece of writing – it gave me the same shudder that Jaws film poster did all those years ago – so much so that next time I’m asked by my daughter about things that scare me, I can add a third thing to the list:-

After reading “The Last Weekend” I’ll be avoiding sharks, psychotic Indian taxi drivers and any primary school teachers from the West Midlands called Ian!!!!!!!!!!!!!!

How Mabel Got Her Groove Back!……………What I Thought Of The Snow Child by Eowyn Ivey

……….From the outset,despite its growing reputation and popularity, I just didn’t fancy this. I thought it would be a bit “folksy” – all twee and home made cakes and stuff!.

When I started blogging I’d read a glowing review of it on one of the blogs that I’ve come to like most – Annabel’s House of Books - and I’d written it down as a possible on a little list I keep on my iPhone and that I refer to every time I’m in a bookshop. But The Snow Child stayed stubbornly stuck on the list for months and never made it to my shelves. It serves as a bit of a testimony to my struggle with my alpha-male tendencies!

From Annabel’s review, a few months later, I retrospectively read an equally glowing review of it on another blog I really like, Claire’s ‘Word for Word’ - so I bought it  – but those alpha male prejudices die hard! Even though I bought it I avoided reading it because that small part of me -  just at the back right hand corner of my brain kept whispering “it’s a woman’s book…its a woman’s book…..” I mention all of this for two reasons – firstly to show just how big an eejit a man with alpha male tendencies and prejudices can be – and I am that eejit! – secondly to encourage anybody who may be put off by the title, or the cover of the book, or even by the blurb on the back off it not to be put off by them – because the Snow Child is a beautiful story and a wonderful book! It won’t change your life on a permanent basis (I don’t believe any book does that – not even the ones about self-help and becoming an instant success!) – but while you read it this book will surely make you feel better about the human race and give you an invigorating and uplifting perspective on the crucial role love plays in our lives

It starts very gently really, set in Alaska between the wars and starting before the onset of winter,  with a couple, Jack and Mabel, who are approaching the twilight of their lives in some ways, and struggling with the grief of losing a child which had been stillborn. They have arrived in Alaska as a kind of turn-of-the-century ‘search for themselves‘, trying to recover from their loss and from the chasm that threatens to grow between them as they come to terms with that loss in very different ways. But as time moves on and winter looms on the horizon, Jack and Mabel are struggling to turn their hope of a new start into any kind of reality. Instead there’s growing tension and you feel their lives sliding into a spiral of defeat and disappointment. Alaska seems to turn in on them, trapping them in loneliness and in their growing separation from each other. There’s a cruelty to the land and the wilderness  at this point – the landscape almost becomes a vicious and merciless character in this part of the book as first Jack and then Mabel seem to be defeated by the elements – it’s as if in running from the tragedy in their past, Alaska seems to be almost mocking them in having chosen it as a sanctuary and place to re-build their shattered lives. And then, just when it feels almost painful to read, the magical tale of the Snow Child is revealed, teasingly, almost one snowflake at a time. It begins with one, almost fairy tale like moment, when Jack and Mabel enjoy the briefest of returns to something like the lighter, closer and more together selves they once were, and as the first fall of snow hits Alaska, they delight in the childishness of first throwing snowballs and then building a snowgirl. It feels like the turning of a corner between them but the next day they find only discarded garments and piles of snow where the snow girl had been built, but with one key difference, the scarf has gone and there are child-like footprints leading from the collapsed snow girl and out into the woods through the snow. Over the weeks to come they both seem to have faint glimpses of a child on the edge of the woods but there’s the uncertainty and doubt about whether it is a real child or a hallucination – almost teasing them and their memories of their earlier loss with the suggestion that they might be having some form of joint mental breakdown. The story seems to tease them and the reader – I so wanted them to discover the Snow Child was real as early as possible – not because of the story itself but for Jack and Mabel’s sakes – they are such wonderfully drawn characters you really do live every bit of their pain, anguish and dashed hopes. And then Jack makes the discovery that changes the lives of Jack, Mabel, the Snow Child and their neighbours forever.

There are so many wonderful things about this book. The characterisation is magnificent – I could feel the heave of disappointment in Mabel’s heart at times, I could picture easily Jack’s large, calloused hands working his axe on the edge of the clearing. The supporting characters of Faina, Garrett, George and Esther are all intriguing and enticing in equal measure. The wilderness itself haunts the book and the lives of the characters – it really does run through the book as a personality in its own right – and though it seemed to me to shift its personality as their story shifted, it stayed on a continuum from uncompromisingly harsh to uncompromisingly encouraging.

But at the heart of the book, and the thing that makes it a quite magical story isn’t the magical nature of the story itself, but instead the very down-to-earth and everyday relationship between Jack and Mabel. Even though their actions, and looks, and thoughts and personality traits are all wonderfully captured by Eowyn Ivey, it was the love between them that she got so wonderfully right for me. It’s poignant and sad in places but it’s never trite. It’s gentle in places but its never twee (even though I’d thought it would be). It’s the strength of it that’s remarkable, the stubbornness of it that’s so uplifting and the understated but yet so evident depth of love they have for each other that’s simply heart-warming. I read The Snow Child going back and forward on the Tube to work – as a consequence I have never cried as often in public – so much so that on two separate occasions one of my fellow passengers asked if I was alright! (and if you’ve ever travelled on the Tube then you’ll know that someone talking to someone else is about as rare as a passengers crying is!!!)

I loved The Snow Child for the story, the setting, the characters and the beautiful way it’s written. But above all I loved The Snow Child for the open and unashamed love in it – the very thing I’d been afraid of when I avoided reading it in the first place!

And when I think back to those weeks of avoiding buying it and those months of avoiding reading it – even ignoring a couple of my favourite bloggers, I realise I should have know all along. My favourite word to describe a great book is “terrific” – I love the word because those two “r’s” in tandem suit my Glaswegian accent and allow me to get stuck into the “ic” syllable on ending. I also like other people who use that word. And it’s because of my liking for the word ‘terrific’ and my faith in those who use that word on its own, that I should have known I’d love the Snow Child – for as you can see it was there all along staring me in the face……………………………!!!!!!!!!!!!

Snow Child 3

Definitely An Affair To Remember……….What I Thought Of “The Forgotten Waltz” By Anne Enright

A scene from ITV’s recent drama “Leaving”

……….A couple of months ago I watched a drama on ITV called ‘Leaving!’ It told the story of a love affair between a young man and an older woman and the aftermath of that affair for them and for their families. It was a decent story, well acted, but the ending was dire – it looked and felt to me like the writer hadn’t ever known how to end the story and so it seemed to stop rather than end! And it’s the ending of The Forgotten Waltz, and the way the whole book leads into that ending, that made this such a great read. If only ITV dramas had Anne Enright as a writer!

The Forgotten Waltz tells of a love affair between Sean and Gina, telling it from Gina’s perspective as she first meets, and then by degrees falls in love with, Sean Vallely, an acquaintance of her sister and brother-in-law. The story is a simple one, of the journey of an affair, its discovery and the fall-out. This story adds the complication of Sean’s daughter Evie, and its this relationship that acts as the main counterpoint to the developing relationship of Gina and Sean. But it’s still a straightforward every-day story of a love affair – its an ordinary tale. But it’s an ordinary tale that’s extraordinarily told. The writing is so skilled, you don’t read about this affair, you live this affair.

Forgotten Waltz Anne EnrightAnne Enright’s book is written gently, almost sparsely at times, but its never anything less than honest and very real. Gina tells of early meetings, how she falls in love with her first husband Connor, her mother, her father, and her perspective of Evie, and her mother, Aileen in an understated style that is emotionally charged but never cliched or sentimental. It left me not liking Gina, positively disliking Sean, and yet utterly engrossed in their stories, their lives and futures – so real did their story seem to me, I felt at times like I was eavesdropping or looking over Gina’s shoulder, reading her thoughts when I knew I ought not to but fascinated by then and so unable to stop myself.

In addition there’s a feeling throughout the book, form the very beginning, that Anne Enright doesn’t plan to spring any real surprises in the plot – it’s not one of those turn-the-page-with-baited-breath-what-will-happen-next? books – the story sort of goes where you broadly expect it too – but it’s no less enjoyable for that for it’s never predictable. What keeps it fresh, and vivid and real are the characters she draws, they’re simply brilliant – and the relationships between them, the almost forensic way their emotions and reactions are explored and laid bare, and the fact that all the way through it’s never sentimental and it never gets sucked into some kind of apology or rationalising for what Sean and Gina do and the fact that they’re in some respects a pair of right selfish bastards – they sort of deserve one another. And their story is one that deserves to be read and enjoyed – I’d recommend it to anyone!

The Catcher In The Awry………..What I Thought Of “The Art Of Fielding” by Chad Harbach

………I first heard of Chad Harbach’s book when he was interviewed on Simon Mayo on Radio 5 (though I can’t recall if I heard it or my partner heard it and told me!). Either way I remembered two things – they raved about it and kept saying ‘don’t be put off by the baseball bit!’ But I was! And I’m a Brit who went to see baseball while visiting Boston, loved it, adopted the Red Sox as my team and to this day I can recall so vividly that unique sound of Nomar Garciaparra hitting a home run. But even I was put off – I think I expected some kind of technical exposition to rival the descriptions I hear from cricket pundits about spin bowling! – fine to listen to while watching a test match – but read that in a book – no thanks!

However having packed to move house, I left the Art Of Fielding out among a few books which I reckoned would last me over the hiatus between packing up in one house and unpacking in another. It was a bit of a false ploy as I didn’t expect to have to read it before unpacking! It salved my conscience a bit. But then I went through the other books quicker than I thought and so was ‘forced’ into the company of Chad Harbach on my journeys to and from work. And the book made those journeys a joy! I loved this book. Loved it, loved it, loved it, loved it, loved it!!!!!!!!!!!!!!!

The story follows the journey of Henry Skrimshander, a baseball short-stop fielding bona-fide genius who is on a run of perfect fields. When he is on the verge of breaking the record for consecutive ‘perfect’ games, his first mid-timed throw starts a chain of events with serious consequences for Henry and his future prospects for making it as a major league baseball player. As things go awry for Henry they also start to unravel for those around him and connected to him. Mike Schwartz is Henry’s mentor, guide and team-mate in the Westish College side. But that’s only a small part of his role in Henry’s life – while Henry provides the talent, poise, and instinct that make him the supremely gifted athlete, Scheartz is the driving force behind him -he’s Henry’s heartbeat – but as events unravel Schwartz is forced to consider whether in becoming Henry’s heartbeat he’s forgotten to be his own heartbeat as well. Alongside Schwartz and Henry, are Henry’s college roommate Owen, whose combination of handsome good looks, intelligence and slightly detached personality make him a little like that old Churchillian comment about Russia ‘a riddle, shrouded in mystery, wrapped in an enigma’. The Head of the College, President Affenlight, is falling dangerously but precipitously in love just as his errant daughter Pella arrives at Westish, retreating from a disastrous relationship and looking for the small town college security that she’d previously sought to escape. As Henry’s life and career start to go awry in the wake of that one erroneous throw, there’s a domino like effect for the novels other main characters, forcing all of them to confront and then try and resolve their own lives all seemingly in danger of going awry at the same time.

The combination of their individual stories and the connections between them make this an engrossing, virtually unputdownable novel from pretty much the first page. The characters are brilliantly sketched and developed, they feel natural, and I found myself connecting with every single one of them. And perversely, though I’d echo those sentiments of Simon Mayo and others that this IS NOT a book about baseball, it was perhaps Chad Hardbach’s writing about baseball that I enjoyed most of all. For me, that came from the sheer unexpectedness of how subtly it meshes into the story and the way his descriptions of baseball techniques and tactics are sometimes a metaphor, and sometimes a commentary, on what’s happening to the characters in the novel specifically and to the everyday lives of Americans in general.

After I first heard of this book, I read it described somewhere as an example of ‘the great American novel’. I’m never sure what that actually means but I assume it’s a novel which is epic in scale and ambition and which captures the essence of America at the time it’s written. So, is ‘The Art Of Fielding’ an example of the great American novel?

Well, it’s certainly epic in ambition, and its themes of modifying ambition to reality, coming to terms with change, dealing with insecurity and retaining confidence in the face of setbacks seem spot on to me at a time of recession, economic uncertainty and the somewhat faltering first term for Obama. But I’m a Glaswegian lover of America from a distance, so it would be for others cleverer and better placed than I if this is ‘a great American novel!’ But I know a fantastic book when I read one! So for me this is, without a shadow of doubt, ‘a great American novel!!!’

Hamsters, Hash with Bacon, And The Sex Life Of Idioms………..What I Thought Of Heartburn by Norah Ephron

Heartburn by Norah Ephron……….Reading usually takes me places in my head – and occasionally I sometimes find a book which opens up something new for me – a new author usually.

But reading Norah Ephron’s ‘Heartburn’ opened up two great new things for me at once…….firstly, Norah Ephron as an author new to me and secondly the pleasure and enjoyment of a book club. For I read this as the first book chosen for Cathys Tuesday Book Club which started at the end of August. Both book and book club are therefore “new-borns” for me – and in time honoured tradition, “both are doing well!”

First the book!

Heartburn tells the story of Rachel, pregnant with her second child, who discovers that her husband, Mark is having an affair with a woman called Thelma Rice – and in that choice of name you immediately get the first hint that in leaving someone called Rachel for someone dogged by the moniker “Thelma Rice”, you get the sense that Mark’s taste and sense might not be too sharp! (With apologies to all the “Thelmas” out there – I know what you’re going through – I’ve been lumbered with the name “Colin” for Christ’s sake!). As if that name isn’t bad enough, they profess to be “in love” and they are all part of a Washington intellectual class who seem like a kind of social engineering experiment – and to some extent the shallowness and utterly selfish personalities of Mark and Thelma are the very clever but emotionally unintelligent consequence of that social in- breeding. The story follows Rachel through the aftermath of the affair, balancing her career as a cookery writer and presenter ( the book is interspersed throughout with recipes!), with the birth of her second child and the way she comes to terms with her husbands betrayal.

All of this would make for a great story in the hands of any half-decent writer but Heartburn delivers even more, partly because Ephron is not only a true master of her craft but also a great observer of human nature (especially in observing men, our oddities and our thinking – when I see our thought processes written down in black and white, even I end up thinking “what planet are we on”?!!!) The other things that makes it a great read are that she’s very, very funny, and the fact that she’s very open about because the semi autobiographical nature of the book. Ephron herself discovered that her then husband Carl Bernstein (he of Watergate fame – though as he’s portrayed here in Alex, a bit of an arsehole to say the least!) was having an affair with Margaret Jay, wife of the then British Ambassador Peter Jay (neither of them come out of this book terribly well either!!!). So while the names and some details have been changed, what you’re essentially reading is Ephrons revenge – and what a magnificent revenge it is! If idioms could have a sex life, and if ‘Hell Hath No Fury Like A Woman Scorned” had intercourse with ‘The Pen Is Mightier Than The Sword‘ then Heartburn would be their love -child, representing the new-born idiom “Hell Hath No Mightier Fury Than A Woman With A Mighty Pen Who’s Been Scorned!!” If I’d been Bernstein I’d have sought refuge in that other idiom “I Wish The Ground Would Open Up And Seallow Me!” But of course Mark isn’t the type of man to think of letting the ground eat him – he’s much too busy loving and eating himself!

The medical definition of ‘heartburn’ is “a burning discomfort behind the lower part of the sternum” and that’s a good way to describe how this book made me feel. As a man it is uncomfortable to read this book in many places – you can’t help but squirm at some of the things Mark says and does – and it leaves you thinking “What a dickhead he is!” and then quickly realising what that says about me and most men as a result! The best way to describe it is that I felt somehow a little bit guilty as I read it – as if all us men are responsible for what happens to Rachel. And that’s best captured by my original thinking about those recipes on the book. I thought they were fake – a kind of trap for men reading the book to fall into along the lines of “look at that eejit actually thinking they are genuine recipes! Men!”. It wasn’t until I listened to the women at Cathy’s Tuesday Book Club that it clicked that they were real!!!
I loved this book – I hadn’t expected to, and only read it because it was the book club choice – but I’m so glad I did. It’s funny yet tragic, despairing and yet hopeful and you can’t help but love Rachel! But I didn’t just love it for what a  great read it was. Once I’d learned the recipes were real I tried the Hash With Bacon recipe – it was great!!!

And the book club……..
I read this for Cathy’s Tuesday Book Club. I went along to the first meet at The Old Crown pub on New Oxford Street slightly uncertain and a little apprehensive – as a book club virgin I’d not known what to expect. It turned out to be great. Most of those there seemed to work in the book/ publishing industry but that added to the enjoyment for me. It was a pleasure to spend a couple of hours with people who were passionate about books, well- read but not book-snobs, and who obviously loved the book as I had done. In the same way as the book was so much better than I’d expected, so was the book club. I’d been a little concerned it would be all serious, high-brow and intellectual – instead much of it was funny and illuminating and the tangents were wonderful – we spent more time discussing hamsters (in the book Rachel’s first husband keeps hamsters!) and the various horrific things which had befallen many of the poor creatures at the hands of those on the book club or others!

So there you have it – hamster horror stories followed by Hash with Bacon –  and all from a book that was in part about taking “Mr Watergate” down a peg or twenty! The places a book can take you never cease to surprise and entertain me!