I am a fan of Troy Story. In Troy Story One, Homer’s The Iliad, I first fell for the magic of the all-powerful Achilles and his friendship with Patroclus which begat the most destructive revenge over Hector and the Trojans, neatly shrouded by THAT face which did so much for ship building! For Troy Story 2, it was the beautiful, haunting and wonderful Song of Achilles by Madeleine Miller which I read last year. I didn’t think I did love stories. But the love between Achillies and Patroculus in this book was a joy to set my old alpha-male heart aglow! And now Troy Story 3 is here in the text of this new play, The Last Days of Troy by the poet Simon Armitage, again giving a different approach to the same story of Achilles, Patroclus, Agamemnon, Helen, Paris, Hector and that wooden horse.
The Last Days Of Troy essentially takes the 15 000 or so lines of The Iliad and it’s 100’s of characters and condenses it into an 8 Act Play of about a dozen key players. In purely mathematical terms that’s a challenge in itself but Armitage carries it off with a style that borders on panache at times and with a dialogue that crackles and fizzes throughout. It opens with a modern day Zeus and Hera reduced to playing the role of metallic-painted statue impersonations of their god-like selves replete with cardboard sign proclaiming ‘Zeus’ and a tin cup to collect tourist coins! They use the model soldier and Greek God souvenir trinkets they sell to play out the initial movements of the war and to act as a link between the modern-day site of what’s believed to have been Troy and the action of the myths. It’s a very clever and effective approach.
But it’s when Simon Armitage’s play goes back to the war itself, to the Greek-Trojan rivalries and to the in-fighting on either side of the war, that the dialogue is at its best. The enmity and loathing between Achilles and Agamemnon drips off the page. On listening to the scheming string-pulling Odysseus making an offer of a daughter of Agamenon in marriage as part of resolving his quarrel with Achilles, his response is pretty…..er……………em…………….unequivocal!
“As for marrying into his family……..I wouldn’t mix my blood with his if his daughters were the last three cunts on earth. I’d fuck a dead animal first. Tell him that. Word for word.”
The mutual hatred between Achilles and Agamemnon is much more at the core of this version of the story than the love between Achilles and Patroclus is in ‘Song Of Achilles’. Even so…..on the death of his friend at the hands of Hector, Achilles vengeance is a fearful,all-conquering (except for that bloody heel!) and terrifying unleashing of a killing machine.
ACHILLES: Gifts or no gifts, all I want is Hector dead, and every Trojan that stands between his throat and this blade
AGAMEMNON: It’s what we all want. We want the same thing!
ACHILLES: And anyone who loves Hector – family or friend- to be broken and beaten, one at a time, so pain and torture are passed along to the last man, woman or child. Stripped out – right to the root.
There is so much to like and love in this as a play, that I’d love to see it. It ran at the Royal Exchange in Manchester ( the purpose for which it was partly written) with the model and actress Lily Cole as that face!!!! The dynamic between the lovers, Paris and Helen, Hector and Andromache is much more integral to the play than in either of the books I read and I thought it was much stronger for that. There’s a kind of inverted Macbeth and Lady Macbeth feel to some of the exchanges. In fact the strength of the women, and the barely concealed contempt and mistrust between Helen and Andromache, means that the role of the women in this tragedy is much more centre stage and again I think that’s a real strength of this telling of the story.
I wouldn’t think there will be too many people who’ll read this or watch the play who don’t know the story of Troy. But it’s still fresh and engaging and littered with brilliant one-liners that in some ways work even better BECAUSE it’s a play. They are short, pithy, sharp and they hit home brilliantly. And sometimes, it’s hard hitting for what’s not said…………!
Agamemnon is studying maps of the campaign. Odysseus enters.
AGAMEMNON: Say something positive or say nothing at all.
Odysseus doesn’t respond.
ODYSSEUS: Worse than yesterday. Disease…….fever………….
Above all, even though this is a play, it’s a great read as a book because it’s a great story, with such incredibly powerful characters and it’s brilliantly told. I have to confess I think Simon Armitage is a genius having loved his previous works like Gawain, and The Morte d’Arthur. Even allowing for that, as with the film franchise, Simon Armitage’s play has much to live up to in this re-telling of such a classic and timeless story. I can’t praise it more than to say Troy Story 3 is every bit as great as it’s illustrious predecessors. Or as someone much more erudite than me might have said, this will help ensure the story of Achilles and Troy goes……
“To infinity and beyond!”
Simon Armitage’s The Last Days Of Troy was published by Faber and Faber. I bought my copy with my own hard-earned dosh.
There don’t seem to be many other blog reviews of the Last Days of Troy as a book around but I did find this review that I liked of the performance of it as play at Gerryco23.
The play ran at the Royal Exchange Theatre in Manchester during May and June of this year. I missed it. Drat! It also ran during June at The Globe in London. I missed it. Double drat!!!!!
Book Rating Out of 10 (you can find info on my Rating Scale here)